From the silent dawn of the universe to the vibrant tapestry of human existence, the Muraqqa Data Miniatures encapsulate our journey. Spanning eons, cultures have sung unique verses in humanity's epic, each leaving a mark on art and identity. Wars, diversity, and revolutions have sculpted our heritage, now reborn in "The Beginning and The End". It is a fusion of ancient craft and machine creativity and explores the essence of art across eras. It's a transformative dialogue, challenging perceptions of art and technology. Here, history and future, analog and digital, converge, inviting us to rethink our role in a world shaped by our creations.
Muraqqa; it's a philosophical quest, reimagining history with the glow of screens and the rhythm of code.
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“Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology.
The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation.
Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts.
More info at https://orkhan.art
