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Buy Tales of the Forest #067 from the Muraqqa: Data Miniatures NFT Collection | Rodeyo NFT Marketplace

More from Muraqqa: Data Miniatures

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As dawn graces Jama Masjid, the artwork captures the palace's digital rebirth. The amber sunlight bathes the façade while tradition and digital visualisation intricately weave together to allow a gaze into the serene, yet vibrant morning rituals. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

Muraqqa: Data Miniatures

Muraqqa: Data Miniatures

Morning in Jama Masjid #037

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Ram Bagh Garden" portrays strolling silhouettes among green paths and still waters, with the artwork weaving a scene of peaceful interactions and natural beauty, set against a backdrop of exquisite architectural grace in a digital creation. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

Muraqqa: Data Miniatures

Muraqqa: Data Miniatures

Ram Bagh Garden #036

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"Down Yamuna River" is an artwork that traces the tranquil flow of one of India's sacred rivers, capturing its quiet strength and enduring grace. Along its banks, the daily life of those it nurtures unfolds, a testament to the river's role as a source of life and a silent witness to history. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

Muraqqa: Data Miniatures

Muraqqa: Data Miniatures

Down Yamuna River #035

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"Nocturnal Prayer" portrays silhouettes in the embrace of twilight, united in prayer against the backdrop of a star-studded sky. The artwork conveys a profound sense of peace and communion, a sacred moment when the veil between the temporal and the eternal feels whisper-thin. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

Muraqqa: Data Miniatures

Muraqqa: Data Miniatures

Nocturnal Prayer #034

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"Garden of Serenity" presents a tranquil assembly of riders on horseback amidst a lush, verdant oasis. Harmonious colors blend to depict a serene landscape where nature and humanity move in graceful unity, offering a digital canvas that celebrates the quiet nobility of pastoral life. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

Muraqqa: Data Miniatures

Muraqqa: Data Miniatures

Garden of Serenity #033

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"Victorious Return" transports viewers to a triumphant moment in history. Against the backdrop of an illustrious forest, horse riders approach in a resplendent procession, echoing with a sense of accomplishment and valor. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

Muraqqa: Data Miniatures

Muraqqa: Data Miniatures

Victorious Return #032

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"Shah Jahan", a centerpiece in the "Tapestry of Affections" series, weaves a virtual ode to love and loyalty. Blending regal majesty with the intimacy of personal connections, this digital panorama celebrates the intricate dance of duty, affection, and the eternal cycle of day into dusk. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

Muraqqa: Data Miniatures

Muraqqa: Data Miniatures

Shah Jahan #031

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In "Sacred Flow," a majestic palace view intertwines with the subtle power of nature. Digital tapestry captures vessels in harmony with the unseen, blending architecture with elemental whispers in a visual symphony, inviting a journey into the poetic interplay of human creation and nature’s might. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

Muraqqa: Data Miniatures

Muraqqa: Data Miniatures

Sacred Flow #030

Tales of the Forest #067

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"Tales of the Forest" depicts an enchanted woodland, where each leaf and branch is etched with the wisdom of Silk Road fables. The artwork portrays nature as the storyteller, inviting a visual journey through a forest rich with hidden tales and age-old secrets. // “Muraqqa - Data Miniatures” is an anthology of 111 artworks, created by Orkhan Mammadov to mark his transition from computer scientist to renowned artist over a decade. Drawing from his early dreams of animating miniature characters and his pivotal role in representing Azerbaijan at the 2019 Venice Biennale, this series breathes life into ancient miniatures, re-envisioning them as living memories of humanity through the lens of advanced technology. The collection reimagines traditional miniature painting, a genre that once offered glimpses into vast narratives within compact frames, paralleling ancient storyboards. It serves as a bridge to the digital age, transforming intricate data into visual tales that echo the miniatures' fusion of calligraphy and imagery. Mammadov's work is a testament to this synergy, melding the detail of miniatures with the clarity and insight of data visualisation. Mammadov’s foray into the realm of miniature painting reveals its 13th-century origins at the crossroads of Persian and Indian creativity, underscoring its pivotal role in cross-cultural exchange. His comprehensive analysis encompasses a vast dataset of miniatures from Azerbaijan, India, Iran, and Turkey, as well as treasures from the UNESCO-recognised St. Petersburg Muraqqa collection. These artworks, a showcase of the Mughal, Deccan, and Isfahan schools, created between the 16th and 18th centuries, intricately woven with scenes of royal life and Persian calligraphy, were once part of a looted treasure during Nadir Shah’s invasion of India and later acquired for Tsar Nicholas II. This collection of 100 pieces embodies the transcultural spirit of miniature art and its enduring narrative of international exchange—now preserved at St. Petersburg’s Institute of Oriental Manuscripts. More info at https://orkhan.art

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