DECORATIVE BUBBLE

“DEFLATIONARY ART” COLLABORATION WITH Ai GENERATED CONCEPTS AND DESCRIPTIONS: “After digitally deflating Jeff Koon’s inflatable sculptures and trading the images for a deflationary currency Jay Delay has shifted the entire lens of his oeuvre from digital ink to stick. “DECORATIVE BUBBLE” is the latest and best that Delay + Co have done with digital money. Surging on a wave of momentum from Jay's world famous Shockwave Code tour the artist has previously used the aggregated and chaotic energy to produce content for smart phones, smartphones and tablets, and not only this, but he has made art that can be redeemed for bitcoins. Look at the drop down menu above, do you recognize your favourite images? Some of them are even created in-house by the artists themselves. Jay Delay has decided that the performance art museum is at risk of becoming just another retail mall." This sentiment is shared by the Los Angeles Times. "Koons’ efforts (that's all of them) are worth noting for what they show us about art appreciation and about the value of the great inflatable sculptures," the news source claims. "Koons, I know, doesn't want to sell his stuff, and many of us would, too. But here we are, in the Anthropocene, with the globe becoming a center of culture, where commerce is the true arbiter of great art." But not everyone is as supportive. Jay Delay has grown the pool of items he can sell by cutting prices by thousands.”The hours and minutes you'll save will undoubtedly set you apart from the rest," says Delay, "and some people will even give you money for the time you spent (I'm sure it would feel pretty intense)." Delay has also been lauded for sparking a global deflationary movement. The images were initially designed for a special time exclusively to celebrate Koons’ transformation of his persona from the sneering mega rich art pornographer to the socially critical artist in order to promote a better society. Below is an expanded report based on his acceptance speech and activity from the first installment of “The Art of Delay”. With graphic karaoke, sitting on a front row bench, and television appearances, Jay Delay holds the title as the Nashville’s most talked about artist. His fall from the dominant position of master commercial artist to one of experimental art is seemingly unprovoked. Check out the Koons’ Internet Poster here . (PS We'll be running the free art from our homepage until December 14th) Prints are available at Wolf's . Payment is being accepted in Crypto, but we are not accepting fiat. For more on cryptocurrencies check out this fine tutorial and accompanying website: http://insanemedia.com/crowdfunding-with-bitcoin/ Jeff Koons’ sculptures deflating is a sign of the times for artists or action figures in terms of creativity, action, and coolness... as well as the underlying value of deflated sculptures. The arrival of this type of propaganda on the scene from artists such as Jay Delay is indicative of the young artist’s working class struggle to reclaim something they have lost in a society obsessed with commodities and money. We often hear jokes in reference to Koons’ campaign for New York's price on height or any other campaign aimed at raising awareness on making money out of people's backs. I can't really speak for Jay Delay, but I do know what was left of his work was bought in bulk to increase the liquidity of digital art assets, to facilitate third world money laundering, and create o "cash flow", but in reality it is certainly not so innocent. Since the art market thrives on scarcity, people have developed coping mechanisms through art as a way to break the cycle of impoverishment and despair. A classic example of deflating inflatable sculptures in as a visual response to Economic inflation is Jay Delay’s ¼ gigabyte sculpture on display in Gallery Peyto, Tokyo, which takes the form of a giant rubber ball floating across the gallery floor. It depicts the then-upcoming 30 billion yen ($271 billion) increase in Japanese government debts, which would see the government pay out enough newly printed money to buy another full gigabyte of data from the internet, thus again puncturing the inflated bubble of the artist's art career. In his 2016 Boreal Summit talks, Jay Delay described his work as a massive synthetically inflating bubble of deflationary art sold for deflationary currency. This computer generated form of art exhibits a concept of destroying artificial substances and a thin line between ideal and actual reality. The focus is on the Human Condition and what the future will be like. Here we break down the salient problems with this market of deflating and shedding light on how the artist responded to economic issues. A classic example of deflating inflatable sculptures as a visual response to Economic inflation is Jay Delay’s The Art Market's "Decorative Bubble" How does the market interpret an artist's work of using artificial intelligence to create the concept of digitally deflating Jeff Koon’s’ sculptures ?" As a means to visualize money debasement, it suggests that subliminal finances are manipulable. What we can't control as users (without direct interaction with a vending machine) are the currencies used to pay for these objects of art. Collectors have more control over their objects, because, essentially, they are the art. (See: Romanov Style Pop Art).” GPT-2(1558)