The organization of the undistinguishable, of the undefined, makes up for the greater part of human experience. The negative potential for dissolution that the mind experiments by mingling with what surrounds it allows it to have access to shapes not usually visible, set in a rhythmical structure snatched from or threatened by the emptiness. The picture seem to hold a kind of structure and simultaneously dissolution of that same structure; a fine line between plain structure and nothingness.
