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More from Painting with Fire: A History in GANs by Bard Ionson

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A mystery for you to solve. Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming. One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire Inspired by Barrat's nude model but restrained from scratch on nude paintings from wikiArt and images of fire. StyleGAN 3 - Timo, Karras, Tero Aittala, Miika Laine, Samuli Härkönen, Erik Hellsten, Janne Lehtinen, Jaakko Aila (June 23, 2021). Alias-Free Generative Adversarial Networks. OCLC 1269560084. VQGAN-CLIP: Open Domain Image Generation and Editing with Natural Language Guidance, Katherine Crowson, Stella Biderman, Daniel Kornis, Dashiell Stander, Eric Hallahan, Louis Castricato, Edward Raff - innovation in prompting a model with language to produce images|Apr 2022|https://arxiv.org/abs/2204.08583

Painting with Fire: A History in GANs by Bard Ionson

Painting with Fire: A History in GANs by Bard Ionson

Mystery Of The Nude Fire

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A visual representation of an AI's learning curve, this canvas is a patchwork of algorithmic interpretations, each square a step in the journey towards a full understanding of fire's dynamic nature. The varied iterations, rich in color and complexity, showcase the gradual refinement of the generative model, evolving to capture the essence of flame. Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming. One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire DCGAN - Radford, Alec; Metz, Luke; Chintala, Soumith . "Unsupervised Representation Learning with Deep Convolutional Generative Adversarial Networks" BigBiGan - Jeff Donahue, Karen Simonyan, Large Scale Adversarial Representation Learning, 2018|2018|https://arxiv.org/abs/1907.02544v2

Painting with Fire: A History in GANs by Bard Ionson

Painting with Fire: A History in GANs by Bard Ionson

Coded Conflagration

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The fire falls in the mist and explodes turning humans into gods. Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming. One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire AICAN: Creative Adversarial Networks, Generating "Art" by Learning About Styles and Deviating from Style Norms June 2017 Ahmed Elgammal, Bingchen Liu, Mohamed Elhoseiny, Marian Mazzone Mattia Cuttini creates GAN art using Playform and his art of cutouts and rubber stamps|2020|https://knownorigin.io/collections/mattia-cuttini/generated-artworks

Painting with Fire: A History in GANs by Bard Ionson

Painting with Fire: A History in GANs by Bard Ionson

Zeus' Fire Falls

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Cycle of digital destruction and rebirth, where virtual flames engulf a forest in a nod to nature's resilience and the mythological regeneration associated with fire, paralleling the transformative power of technology and AI. Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming. One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire StyleGAN 3 - Timo, Karras, Tero Aittala, Miika Laine, Samuli Härkönen, Erik Hellsten, Janne Lehtinen, Jaakko Aila (June 23, 2021). Alias-Free Generative Adversarial Networks. OCLC 1269560084. TransGAN - Jiang, Yifan; Chang, Shiyu; Wang, Zhangyang (December 8, 2021). "TransGAN: Two Pure Transformers Can Make One Strong GAN, and That Can Scale Up". arXiv:2102.07074 [cs.CV].|2021|https://arxiv.org/abs/2102.07074

Painting with Fire: A History in GANs by Bard Ionson

Painting with Fire: A History in GANs by Bard Ionson

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The OG fire forms. Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming. One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire AICAN: Creative Adversarial Networks, Generating "Art" by Learning About Styles and Deviating from Style Norms June 2017 Ahmed Elgammal, Bingchen Liu, Mohamed Elhoseiny, Marian Mazzone Playform - based on CAN started operations in 2018|2018|playform.com

Painting with Fire: A History in GANs by Bard Ionson

Painting with Fire: A History in GANs by Bard Ionson

Original GAN-ster

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The faces in the GAN greet you in your exploration across the latent space. Are these PodGANs? Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming. One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire DCGAN - Radford, Alec; Metz, Luke; Chintala, Soumith . "Unsupervised Representation Learning with Deep Convolutional Generative Adversarial Networks" Historic NFT Fest Barcelona "Representation Of The Entity" by Bård Ionson|2022|https://hnft.community/

Painting with Fire: A History in GANs by Bard Ionson

Painting with Fire: A History in GANs by Bard Ionson

AI Is Your Friend

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An echo of a fire the artist built in his backyard. The family is here enjoying the warmth and the food it cooks for us. The training of the model was able to retain a memory of this memory. Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming. One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire DCGAN - Radford, Alec; Metz, Luke; Chintala, Soumith . "Unsupervised Representation Learning with Deep Convolutional Generative Adversarial Networks" Cslasha (Atay Ilgun) Creator of ⁠Realiti |2019|https://opensea.io/collection/realitic

Painting with Fire: A History in GANs by Bard Ionson

Painting with Fire: A History in GANs by Bard Ionson

Family Campfire

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Channeling the mythic theft of fire, harnessing the chaotic essence of AI to rekindle the ancient spark that propelled humanity forward. Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming. One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire DCGAN - Radford, Alec; Metz, Luke; Chintala, Soumith . "Unsupervised Representation Learning with Deep Convolutional Generative Adversarial Networks" DCGAN, Machine Learning: In 2015, Alec Radford, Luke Metz, and Soumith Chintala introduced DCGAN (Deep Convolutional Generative Adversarial Network), a pivotal work in making GAN architectures more stable and robust, particularly for image generation.|2015|https://arxiv.org/abs/1511.06434

Painting with Fire: A History in GANs by Bard Ionson

Painting with Fire: A History in GANs by Bard Ionson

Promethean Echo