In this collection, I explore the interplay between organic forms and synthetic environments, embodying the dichotomy within the context of the museum space. Museums, as conceptually neutral spaces, serve to spotlight art by stripping away external details, creating a blank canvas for pure artistic engagement. This unique environment allows art to resonate differently than in any other setting. Each flower sculpture in this collection is crafted from synthetic materials, yet envisioned through artificial intelligence, representing a fusion of nature and technology. The synthetic materials juxtapose the organic forms they replicate, emphasizing the dissonance and contrast inherent in their coexistence. By embedding the museum’s conceptual neutrality within the artwork itself, I invite viewers to experience a sense of bliss and emptiness. The sculptures challenge the boundaries of art, highlighting how context, even when artificially constructed, becomes a natural aspect of the art experience. This collection invites contemplation on the evolving relationship between the natural and artificial, urging viewers to reflect on the organic essence within synthetic realms.
