Plottables

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Plottables is a platform dedicated to pen plottable generative art.

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NFT Image

In mathematics, streamlines are a family of curves that are instantaneously tangent to the velocity vector of a flow. These show the direction in which a massless fluid element will travel at any point in time. This project is an abstract exploration of these formal ideas. Best plotted on Legion Stonehenge Aqua Black Watercolor Paper Pads with with Sakura Gelly Roll Metallic Pens.

Plottables

NFT Image

In mathematics, streamlines are a family of curves that are instantaneously tangent to the velocity vector of a flow. These show the direction in which a massless fluid element will travel at any point in time. This project is an abstract exploration of these formal ideas. Best plotted on Legion Stonehenge Aqua Black Watercolor Paper Pads with with Sakura Gelly Roll Metallic Pens.

Plottables

NFT Image

In mathematics, streamlines are a family of curves that are instantaneously tangent to the velocity vector of a flow. These show the direction in which a massless fluid element will travel at any point in time. This project is an abstract exploration of these formal ideas. Best plotted on Legion Stonehenge Aqua Black Watercolor Paper Pads with with Sakura Gelly Roll Metallic Pens.

Plottables

Streamlines #10

NFT Image

Azulejos-inspired hypnotic arrangement of square tiles, full of symmetry and wiggly lines. This plottable NFT generator is the result of long experimentations with tiles arrangement and generation algorithms. Mixes well with altered states of consciousness. Rendering of the plot is done in tile batches and may take a while, the last batch, containing the glitch layer, may take longer than others. The generated plot will contain 100-130m of lines, is made to fit an A3 page, best plotted with a pen of 0.5mm width pen (TWSBI Eco broad nib fountain pen is perfect), and will take multiple hours to draw. Collectors who own an edition number N, where N % 17 == 0 may claim a signed A3 plot of their piece. See the project website for more information.

Plottables

NFT Image

Take something as simple as concentric circles and modify, expand, and implode each point relative to the others and you will find yourself with something completely different. With Implosion we explore this concept and look to make a statement about what it means to plot a piece. As artists that almost always work with a plotter, it often feels like plotting adds another layer of complexity and depth to a piece. You work alongside the plotter to translate the piece from the screen to the physical world. As one of the first pieces on Plottables we want to convey that passion to you and let you experience it for yourselves. All Implosion pieces are represented on the screen as black & white images, but behind the scenes are split into layers so that you can recolor and plot your piece as many different ways as you want. Those layers are just the beginning though. Try pausing your print halfway through to change the pen size, color, or shape. Afterwards hang them as a matrix on your wall and make it an exploration of the elements of art across a complex pattern. If you’re not into exploration you can’t go wrong with a black Pigma Micron pen on smooth Bristol paper.

Plottables

NFT Image

In mathematics, streamlines are a family of curves that are instantaneously tangent to the velocity vector of a flow. These show the direction in which a massless fluid element will travel at any point in time. This project is an abstract exploration of these formal ideas. Best plotted on Legion Stonehenge Aqua Black Watercolor Paper Pads with with Sakura Gelly Roll Metallic Pens.

Plottables

Streamlines #11

NFT Image

In mathematics, streamlines are a family of curves that are instantaneously tangent to the velocity vector of a flow. These show the direction in which a massless fluid element will travel at any point in time. This project is an abstract exploration of these formal ideas. Best plotted on Legion Stonehenge Aqua Black Watercolor Paper Pads with with Sakura Gelly Roll Metallic Pens.

Plottables

Streamlines #12

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #61

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #118

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #120

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #125

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #128

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #130

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #131

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #132

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #133

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #134

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #136

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #137

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #139

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #140

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #141

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #142

NFT Image

A study in emergent forms and textures. A torus mesh is warped and stretched, resulting in an abstract figure that seems almost representational. What do you see? Psuedofigure pieces appear as black and white on screen, but the foreground and background are in separate layers and you may recolor as you wish. The foreground should use a fine-tip pen to render the details of the texture. The background has more room for experimentation. The foreground is one continuous stroke and the background is a series of alternating rows, no need to sort paths. This project was designed for tabloid (/A3) size paper, plotting should take up to one hour in most cases.

Plottables

Pseudofigure #143

NFT Image

In mathematics, streamlines are a family of curves that are instantaneously tangent to the velocity vector of a flow. These show the direction in which a massless fluid element will travel at any point in time. This project is an abstract exploration of these formal ideas. Best plotted on Legion Stonehenge Aqua Black Watercolor Paper Pads with with Sakura Gelly Roll Metallic Pens.

Plottables

Streamlines #13

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

Reservation #10

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

Reservation #11

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

Reservation #12

NFT Image

In our daily practice we explore many different algorithms at a surface level. This piece started out as a simple implementation of the marching squares algorithm and quickly began to show its potential for emergence and exploration. In Reservation we run with this concept, exploring its possibilities but artificially capping it at 50 mints. This small set of outputs will be the face of the underlying algorithm, which holds infinite possibility. The art here is the algorithm and the outputs are a representation of a piece of ownership of that art. All colors used in Reservation are available in Sakura Pigma Micron 01 & 05 pens. If you don't have one of the recommended pens, experiment with other combinations and create something that is your own. Accent Lines should be plotted with a bold pen, at least 0.5mm on 9x12" paper. We recommend plotting on smooth bristol paper.

Plottables

Reservation #13