Warmth emanates from the screen, where autumn leaves and fiery hues blend in a spectacle of seasonal change. This visual symphony, born from a prompt envisioning trees ablaze, captures the essence of transformation—each leaf a flame, each branch a spark in nature’s grand bonfire.
Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming.
One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire
AttnGAN - Tao Xu, Pengchuan Zhang, Qiuyuan Huang, Han Zhang, Zhe Gan, Xiaolei Huang, Xiaodong He ,AttnGAN: Fine-Grained Text to Image Generation with Attentional Generative Adversarial Networks, 2018
CoGAN: Coupled Generative Adversarial Networks Ming-Yu Liu, Oncel Tuzel|2016|https://doi.org/10.48550/arXiv.1606.07536
